Contact tells the story of a stranded alien professor and Terry, a young man accidentally caught up in the off-world scholar's plight. The story centres on a quest to find the scattered remnants of the professor's extra-terrestrial power-source, adding in a variety of sub-quests and an air of intrigue as shady, sinister parties are looking to find the scattered crystals for use in their own nefarious plans.

Complementing the plot are RPG mechanics of considerable depth, including real-time updating of statistics and abilities, as well as a wealth of items to discover and use. Levelling-up occurs as soon as the necessary experience has been gained, making for a dynamic, continuous play experience in keeping with the game's real-time combat systems.

Contact also features a unique split of graphical styles across the DS's two screens. On one display, there's a vibrant representation of earthly locales, complete with lush flora, fauna and other inhabitants. On the other screen, however, this look is contrasted by an austere pixel-art look for the portrayal of the professor, his lab and his alien hybrid pet.

The professor's unusual nature is not only defined by his visuals. He's entirely aware of the player and will talk to them directly, even commenting on Terry's progress. This breaking of the 'fourth wall' of videogames will raise questions about the professor's role, to the extent where the player will question the professor's morality and motives, possibly even questioning what Contact is. Is it 'just' a game, or is it something more?